The root relationship of the the two chords involved is a tritone. A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. From Wikipedia, the free encyclopedia. 6 Tritone substitution licks Forum Welcome To Jazz Guitar Licks ... PDF METHODS WITH AUDIO FILES. 0000016572 00000 n When playing on a common blues progression, you normally play I7-IV7-I7-I7 in the first four bars of the tune. 28 avr. In this section, you’ll be looking at how you can play two chords at once over any underlying chord progression in order to bring a modern feel to your lines and phrases. A tritone substitution is taking any dominant 7 chord you see and play another dominant 7 chord that occurs a tritone (#4 aka b5) away from that initial chord. The first lick starts with the D minor bebop scale and goes to the Db Lydian dominant scale in bar 2. You should then work through the remaining keys, and add this to your practice schedule. Example: G7 is replaced by Db7. The second lick starts with a Dm7 arpeggio, goes into the Db Lydian dominant scale in bar 2, and finishes on the 9 of Cmaj7 in bar 3. For example, if you are soloing over a Cm7 chord, you can move between the chords Cm7 and F#m7 (2 minor 7 shapes a tritone apart). 0000018274 00000 n A tritone substitution replaces the G7 with a Db7. 1. Oct 11, 2017 - -~-~~-~~~-~~-~-Looking for my weekly guitar lessons? The original blues chords would be F7 Bb7 and G7 wouldn’t they . The first practical application of tritone substitutions we will look at is in the fourth bar of a jazz blues chord progression. 0000000016 00000 n ��#�ɹ�Z��_���#r�'U9�s�����g,g����S�W�;݉���au�j�Z� Here’s how the Lydian dominant scale looks on the guitar fretboard: Here are 2 licks that use the Lydian dominant scale to get you started…. To help you get started with this combined tritone turnaround, here is an example of how you can play through this pattern in the key of C major. The login page will open in a new tab. This chord is diametrically opposite V chord on circle of fifths. Circle of 5ths Level 2 – Tritone, Tritone Chord Substitutions and Song Applications Many music students are totally confused regarding Tritones and how to use Tritone Chord Substitutios into their music and composition. The scale of choice to solo over tritone substitutions is the Lydian dominant scale. The tritone concept is also very useful for comping and improvised solos. Work on this solo in your studies. Tritone substitution is a great way to create some surprising outside sounds in a Jazz solo or arrangement, and it is certainly something you want to have in your toolbox. These two notes “guide” you through the changes: Play these shapes on the guitar to get a feel for how they sit on the fretboard and how they sound. Tritone substitutions are also knows as substitute dominants or sub 5’s so be aware that these 3 terms refer to the same thing. In this article, I am going to explain: The Tritone; What is Resolution? Artists. Also, can you explain tritone substitutions? This is a way of substituting V7 chords. In practice, a tritone sub in jazz is most commonly a dominant 7 chord. Feb 27, 2018 - In this easy jazz guitar lick lesson we will use three pentatonic scales while applying a tritone substitution over a II-V-I chord progression in C major. The altered scale is also a mode of the melodic minor scale. Best explanation of this subject that I’ve seen. The last two bars are the same shapes with the root and 5th removed, leaving only the 3 and b7. Then when you’re ready, add this concept of 3rds and 7ths to your own solos over blues and other progressions. D♭7 = D♭ F A♭ B The standard major key turnaround uses the chords I-VI-ii-V, as you can see in the top changes of the example below. Today we are going to discuss some scales that you can use to approach various tritone substitutions when you improvise. In the jazz blues chord chart above, in F how does the D7b9 get in there? The first place to apply a tritone sub is the V7 chord, as you can see in the chord changes in the lower staff. 21 Ste amin jazz-guitar-licks.com ll ights eserve What’s a Tritone Substitution? Here is another example of the 1235 pattern used in a tritone side-stepping line over a static Cm7 chord. In classical music, the tritone is known as diabolus in musica (the Devil in music) or the devil’s interval. As you will see i a moment, this is incredibly easy to do. 2019 - 6 tritone substitution jazz guitar licks | PDF eBook THE MODERN GYPSY JAZZ GUITAR PLAYERS THROUGH THEIR LICKS by PERE SOTO 250 II-V SUBSTITUTION TECHNIQUES by PERE SOTO substitution on V7 triton technique + tensions harmonic chords substitutions 35 D-7 more techniques G7 G7 Db7 triton technique G7Db7 G7(b9) Abº7B^7(b5)/G 36 substitution on II-7 by minor 2ths steps descending D-7 G7 C^7 37 D-7 by 4ths step ascending G7 … The 3 of G (B) is the same as the b7 of Db7 (B), The b7 of G7 (F) is the same as the 3 of Db7 (F). To begin, let’s look into what a tritone sub is and how you can apply it to any dominant 7 chord you are comping over. The Tritone substitution is a very powerful way to add some extra tension and color to a II V I cadence. The basic application of a tritone chord substitution is to take any 7th chord and play another 7th chord that has its root a tritone away from the original. Scales are like words. 0000031034 00000 n tritone Substitution - Free download as PDF File (.pdf) or read online for free. You can also use tritone intervals in your single-notes solos, both to outline the 3rd and 7th of any chord, as well as the transitions between chord changes. Before watching this you should have done the previous lessons in this series - without a solid understanding of Functioning Dominants and Altered Harmony this is going to mess with your head. Tritone Substitution Part XII Replacing a dominant seventh (or a minor seventh) chord by a dominant seventh chord whose root is a tritone away is referred to as a tritone (or flatted fifth) substitution. The tritone substitution for the 5 chord G7 would be Db7. Have a look at the chord progression below for a basic example: To help you get started with this tritone ii-V-I progression, here is an example of how you can play through this pattern in the key of C major. With the knowledge of how tritones create the 3rd and 7th intervals of any dominant 7 chord, you can now take that to the fretboard. CHORD SUBSTITUTION THEORIES Tritone Substitutions (semi-tone approach) Functioning Dominant Use chord 1/2 step above V in a II-V-I. This harmonic technique of chord substitution is common in the jazz style. One of the first theory terms you hear, and one that comes up time and again when studying jazz guitar, is the tritone. Learning how to confidently apply tritone subs to your jazz guitar comping phrases is an essential tool for any jazz guitarist to have. 0000018968 00000 n Here’s how that looks on the fretboard for a D7 chord: The first two bars are a D7 chord solid and broken so you can see the full shape. ... Download all tabs and notation in PDF and Guitar Pro formats. Progression with a tritone substitution (Db7): C Dm7 Db7 C. It’s called a tritone substitution because the root of Db7 is an augmented 4th (nicknamed a tritone) away from G7. These 3 scales are related and contain the same notes, but start on a different root. An example where this substitution works particularly well is with the II-V-I cadence. The tritone substitution is a dominant, or secondary dominant 7th chord whose root is a tritone (3 whole steps) away from the original chord. After you play through these 3rds and 7ths, move on to the next section where you apply those shapes to a 12-bar blues in D progression. 0000017771 00000 n Nowadays it’s a standard chord in a jazz blues, often preceded with an Am7b5 or Am7. You can also apply a tritone sub to the VI chord in a turnaround, which you can see in the following progression. 0000003019 00000 n tritone substittion jazz lesson from guitar magazine Our role as a bass player is to support the harmonic foundation for the rest of the band, as well as lock the rhythms with the drummer. Play each one to hear how they sound and get an idea for how to finger tritone intervals on the fretboard. When you’ve worked it out and are comfortable with this line, try writing out a few licks of your own using the tritone side-step arpeggios as the basis for those phrases. Start by learning this solo as written, then try writing out your own solo etude over a minor jazz blues chord progression in a similar manner. Tritone Substitution: Now that we know what a tritone is and what is meant by ‘substitution’ we can look at combining them. A tritone substitution really is a reharmonization technique. Altered Extensions. Jump to: navigation, search In jazz, a tritone substitution[1][2] is the chord substitution of a chord with a dominant chord that has its root a tritone away from the original. In each case, the expected root note is replaced by one located three whole steps above or below it, which are the same notes an octave apart. In this lesson, you’ll be looking at a simple way to think about the tritone substitution, as well as explore a few examples of how you can apply this cool concept to your jazz guitar comping and solos. Tritone substitution is a common chord substitution for dominant chords and occurs often in jazz standards. 0000001514 00000 n This classic bebop lick uses some common chord substitutions: The F half-diminished arpeggio over Db7 results in a 9-sound: Learning how to bring a modern jazz guitar sound into your improvised lines, in the style of great players such as Adam Rogers, Kurt Rosenwinkel, Ben Monder and John McLaughlin, can be tough. The tritone scale has the intervals, Root-b2-3-b5-5-b7, so all of those juicy notes we saw in the C7b9#11 chord in the first bar of the example. When replacing the VI7 chord with a tritone sub, you create the chord progression I-bIII-ii-V. Lastly, you can apply a tritone sub to both the VI and V chords in a turnaround to produce the chord progression I-bIII-ii-bII, which you can see and hear in the next example. When replacing the V7 chord of a ii-V-I with a tritone sub, you are creating the chord progression ii-bII-I. After logging in you can close it and return to this page. �sD"K���.���ߥ�6�wP�B �c���1�1K�w���+��/�#K�������'����5h��?Y�dQU��dE�6�:a�KD��1��� These jazz lines come with tabs, standard notation, guitar neck diagrams, backing … Tritones definitely add spice to your playing. Work out this comping study, and then when you have it down add this concept to your comping over other blues and standard chord progressions. A tritone is the interval between a root note and 3 tones above or below that note. Tritone Scale Fingerings Oct 15, 2018 - This Printable PDF eBook available for free download contains 6 easy jazz guitar licks with tabs/notation, youtube video link and analysis about the tritone substitution. Use of the concept of tritone substitution adds the b9 and b5 tones (aka – “altered extensions”) to … Tritone Substitution Guitar Lessons. There are even musicians (often times piano players) who have taken a liking to the world of reharmonizing and autom… �T�ُ=X����PA�S=��q3�2���%��L�ނ��p�G��5C�4��.Z�&!9�:6���D�y͸&m�{� F�M�sҋ�$����\��H2�.����2^ Tritone substitutions can be applied to almost any standard that you’re working on but one song you always hear it used on is the Girl From Ipanema. Even though we are talking about b5 substitutions D7b9 isn’t a sub for any of those chords . Lets say you’re improvising on a G7 chord that functions as a V chord. Q: When is it ok to use chord substitutions on standards? The reason that this substitution works is that dominant 7 chords with a bass note a tritone apart share the same 3rd and 7th. If you want to know what a tritone sounds like, it’s the opening notes to the Simpsons theme song.